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OPEN CALL_WE SEE UKRAINE

OPEN CALL FOR UKRAINIAN ARTISTS FOR THE PROJECT WE SEE UKRAINE

APPLICATION DEADLINE APRIL 18, 2023

UKRAINIAN BELOW / ะฃะšะ ะะ‡ะะกะฌะšะžะฎ ะะ˜ะ–ะงะ• โ†“โ†“โ†“

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CALLING Ukrainian visual artists for participation in the project WE SEE UKRAINE. Six visual artists (a mix of Europeans, Ukrainians back home and Ukrainians on the refuge) from three partner countries - Bulgaria, Croatia and Ukraine โ€“ will work together to create an exhibition that will reflect on the situation of the Ukrainian people caught in a second year of a destructive war. There will be stories to tell and experiences to be โ€œtranslatedโ€ between Ukrainians and their fellow Europeans. The aim of our project is to connect artists โ€“ Ukrainian and local, refugees and residents โ€“ to put their hands, heads and hearts together to come up with a visual language for this.

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The project aims at true collaborative work, with two in person artist workshops in Sofia and in Zagreb, and a continuous online collaboration process resulting in a group exhibition in November that will be shown in Bulgaria, Croatia and Ukraine.

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Each artist will receive a stipend of 3600 Euro to cover work and materials. Travel and accommodation costs for attending the workshops and the exhibit opening are covered by the project.

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THE PROCESS

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The selected artists will be required to participate in two on-site brainstorming and networking workshops - one in Sofia on 22โ€“23 May 2023, and one in Zagreb on 11-12 July 2023, and in regular virtual meetings during the whole scope of the project, in the time between the workshops and leading up to the series of exhibits in November 2023. How much it will be a joint project, and how much โ€“ a group exhibition will emerge naturally in the course of the artistsโ€™ work together over the Summer. The goal of the project is to build an environment and a process in which the artists have a chance to get to know each other, as well as the Ukrainian communities in Sofia and Zagreb, and have a chance to come to a joint concept. This will ideally lead to an exhibition that has been truly co-created by its authors, rather than just bringing together a series of separate artworks under one thematic roof.

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THE TIMELINE

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Submission deadline: 18 April 2023, 23:59:00 EET

Selection notification date: 21 April 2023

Workshop 1, Sofia: 22โ€“23 May 2023

Workshop 2, Zagreb: 11-12 July 2023

Parallel exhibitions in Sofia, Zagreb and Lviv: November 2023

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THE CONDITIONS

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โ€“ a stipend of 3600 Euro to cover work and materials (minus all applicable taxes and social charges depending on the artistโ€™s tax residence)

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โ€“ travel, accommodation and per diems to the two 2-day workshops, and where applicable to the exhibit openings are covered by us

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โ€“ Important! In person participation in the two workshops and timely production of works within the projectโ€™s topic for the final exhibition is mandatory (artists traveling by land from Ukraine have the option to stay up to 5 days if need be)

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โ€“ working language of the project is English

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HOW TO APPLY

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We are seeking Ukrainian artists of all mediums of visual arts, including but not limited to painting, sculpture, spatial art (land art, architecture and design), photography, video, or performance.

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To apply please submit:

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  1. CV (max. 2 pages)

  2. Motivation letter where you talk about your approach to your work, relation to the theme and the future that youโ€™d like to explore over the course of the WE SEE UKRAINE project (1 page).

  3. Portfolio (max. 10 pages)

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Please, submit one PDF file (max. 20MB) to weseeukraine@gmail.com

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The deadline for submissions is April 18, 2023. Successful applicants will be notified by April 21, 2023.

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We look forward to receiving your applications and working with you to raise awareness of the situation in Ukraine through the power of art to spark empathy.

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SELECTION PROCESS

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The team of the project will evaluate all applications and get back to the selected applicants. 

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ABOUT US & THE PROJECT

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WE SEE UKRAINE is a collaborative visual and performing arts project, developed between tanuki films (Bulgaria), Eclectica (Croatia) and the Lviv Tourism Development Center (Ukraine), exploring the various imprints the war in Ukraine has on the Ukrainian people. We measure those imprints through three instruments โ€“ the use of language, the relation of people to objects, and the human body as an instrument for change and communication. 

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We base the project on previous work we have done in the field of documentary and visual art. The project will build on the experiences of ordinary Ukrainians: refugees or people who have already managed to return to their homes โ€“ or what was left of them โ€“ in the Ukraine. Six visual artists (local as well as Ukrainians back home or on the refuge) from the three partner countries - Bulgaria, Croatia and Ukraine โ€“ will work within the project framework to create a joint exhibition. It will be a true collaborative work, and the aim of our project is to connect artists โ€“ Ukrainian and local, refugees and residents โ€“ to put their hands, heads and hearts together to come up with a visual language for this intercultural translation. Our project gives the framework for this co-creative effort, and will manage its output โ€“ onto online platforms and a series of exhibitions/performances in our partner countries.

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WE SEE UKRAINE is co-funded by the Creative Europe Programme of the European Union.


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OPEN CALL WE SEE UKRAINE ะดะปั ัƒะบั€ะฐั—ะฝััŒะบะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ ะฒั–ะทัƒะฐะปัŒะฝะพะณะพ ะผะธัั‚ะตั†ั‚ะฒะฐ

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OPEN CALL ะดะปั ัƒะบั€ะฐั—ะฝััŒะบะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ ะฒั–ะทัƒะฐะปัŒะฝะพะณะพ ะผะธัั‚ะตั†ั‚ะฒะฐ ะดะปั ัƒั‡ะฐัั‚ั– ัƒ ะฟั€ะพั”ะบั‚ั– WE SEE UKRAINE. ะจั–ัั‚ัŒ ะฒั–ะทัƒะฐะปัŒะฝะธั… ะผะธั‚ั†ั–ะฒ ะท ั‚ั€ัŒะพั… ะบั€ะฐั—ะฝ-ะฟะฐั€ั‚ะฝะตั€ั–ะฒ โ€“ ะ‘ะพะปะณะฐั€ั–ั—, ะฅะพั€ะฒะฐั‚ั–ั— ั‚ะฐ ะฃะบั€ะฐั—ะฝะธ (ะผั–ัั†ะตะฒะธั… ั‚ะฐ ัƒะบั€ะฐั—ะฝั†ั–ะฒ), ะฟั€ะฐั†ัŽะฒะฐั‚ะธะผัƒั‚ัŒ ั€ะฐะทะพะผ ะฝะฐะด ัั‚ะฒะพั€ะตะฝะฝัะผ ะฒะธัั‚ะฐะฒะบะธ,  ั‰ะพ ะฒั–ะดะพะฑั€ะฐะถะฐั‚ะธะผะต ัั‚ะฐะฝะพะฒะธั‰ะต ัƒะบั€ะฐั—ะฝััŒะบะพะณะพ ะฝะฐั€ะพะดัƒ ะฒ ัƒะผะพะฒะฐั… ะดั€ัƒะณะพะณะพ ั€ะพะบัƒ ะฟะพะฒะฝะพะผะฐััˆั‚ะฐะฑะฝะพะณะพ ั€ะพัั–ะนััŒะบะพะณะพ ะฒั‚ะพั€ะณะฝะตะฝะฝั ะฒ ะฃะบั€ะฐั—ะฝัƒ. ะœะธ ะฑัƒะดะตะผะพ ั€ะพะทะฟะพะฒั–ะดะฐั‚ะธ ั–ัั‚ะพั€ั–ั— ั‚ะฐ ะดั–ะปะธั‚ะธัั ะดะพัะฒั–ะดะพะผ ะผั–ะถ ัƒะบั€ะฐั—ะฝััŒะบะธะผะธ ั‚ะฐ ั”ะฒั€ะพะฟะตะนััŒะบะธะผะธ ะผะธั‚ั†ัะผะธ. ะœะตั‚ะพัŽ ะฝะฐัˆะพะณะพ ะฟั€ะพะตะบั‚ัƒ ั” ะพะฑ'ั”ะดะฝะฐะฝะฝั ัƒะบั€ะฐั—ะฝััŒะบะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ, ั‰ะพ ะทะฐะปะธัˆะฐัŽั‚ัŒัั ะฒ ะฃะบั€ะฐั—ะฝั–, ะฐ ั‚ะฐะบะพะถ ะฑั–ะถะตะฝั†ั–ะฒ ั‚ะฐ ั€ะตะทะธะดะตะฝั‚ั–ะฒ ั”ะฒั€ะพะฟะตะนััŒะบะธั… ะบั€ะฐั—ะฝ, ั‰ะพะฑ ะฟะพั”ะดะฝะฐั‚ะธ ะฝะฐัˆั– ะฒะผั–ะฝะฝั, ั€ะพะทัƒะผ, ัะตั€ั†ั ั‚ะฐ ัั‚ะฒะพั€ะธั‚ะธ ัะฟั–ะปัŒะฝัƒ ะฒั–ะทัƒะฐะปัŒะฝัƒ ะผะพะฒัƒ.

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ะŸั€ะพั”ะบั‚ ัะฟั€ัะผะพะฒะฐะฝะธะน ะฝะฐ ะฟะพัั‚ั–ะนะฝัƒ ัะฟั–ะฒะฟั€ะฐั†ัŽ, ัะบะฐ ัะบะปะฐะดะฐั”ั‚ัŒัั ะท ะดะฒะพั… ะฒะพั€ะบัˆะพะฟั–ะฒ ะฒ ะกะพั„ั–ั— ั‚ะฐ ะ—ะฐะณั€ะตะฑั– ั‚ะฐ ะฝะฐ ั‚ั€ะธะฒะฐะปะธะน ะพะฝะปะฐะนะฝ-ะฟั€ะพั†ะตั ะบะพะผัƒะฝั–ะบะฐั†ั–ั—, ั€ะตะทัƒะปัŒั‚ะฐั‚ะพะผ ัะบะพั— ะฑัƒะดะต ะฟั€ะพะฒะตะดะตะฝะฝั ะณั€ัƒะฟะพะฒะพั— ะฒะธัั‚ะฐะฒะบะธ ัƒ ะ‘ะพะปะณะฐั€ั–ั—, ะฅะพั€ะฒะฐั‚ั–ั— ั‚ะฐ ะฒ ะฃะบั€ะฐั—ะฝั– ัƒ ะปะธัั‚ะพะฟะฐะดั– 2023 ั€ะพะบัƒ.

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ะšะพะถะตะฝ ั…ัƒะดะพะถะฝะธะบ ะพั‚ั€ะธะผะฐั” ัั‚ะธะฟะตะฝะดั–ัŽ ัƒ ั€ะพะทะผั–ั€ั– 3 600 ั”ะฒั€ะพ ะดะปั ะฟะพะบั€ะธั‚ั‚ั ะฒะธั‚ั€ะฐั‚ ะฝะฐ ั€ะพะฑะพั‚ัƒ ั‚ะฐ ะผะฐั‚ะตั€ั–ะฐะปะธ. 

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ะ’ะธั‚ั€ะฐั‚ะธ ะฝะฐ ะฟั€ะพั—ะทะด ั‚ะฐ ะฟั€ะพะถะธะฒะฐะฝะฝั ะดะปั ัƒั‡ะฐัั‚ั– ัƒ ะฒะพั€ะบัˆะพะฟะฐั… ั‚ะฐ ะฒั–ะดะบั€ะธั‚ั‚ั– ะฒะธัั‚ะฐะฒะบะธ ะฟะพะบั€ะธะฒะฐัŽั‚ัŒัั ะพะบั€ะตะผะพ.


ะŸะ ะžะฆะ•ะก

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ะžะฑั€ะฐะฝั– ั…ัƒะดะพะถะฝะธะบะธ ะฑั€ะฐั‚ะธะผัƒั‚ัŒ ัƒั‡ะฐัั‚ัŒ ัƒ ะดะฒะพั… brainstorm ะฒะพั€ะบัˆะพะฟะฐั… โ€“ ะฒ ะกะพั„ั–ั— 22-23 ั‚ั€ะฐะฒะฝั 2023 ั‚ะฐ ัƒ ะ—ะฐะณั€ะตะฑั– 11-12 ะปะธะฟะฝั 2023 ั€ะพะบัƒ, ะฐ ั‚ะฐะบะพะถ ัƒ ะฟะพัั‚ั–ะนะฝะธั… ะพะฝะปะฐะนะฝ-ะทัƒัั‚ั€ั–ั‡ะฐั… ัƒ ั€ะฐะผะบะฐั… ะฟั€ะพั”ะบั‚ัƒ, ั‰ะพ ะฟั€ะพะฒะพะดะธั‚ะธะผัƒั‚ัŒัั ัƒ ะฟะตั€ั–ะพะด ะผั–ะถ ะฒะพั€ะบัˆะพะฟะฐะผะธ ั‚ะฐ ะฝะฐะฟะตั€ะตะดะพะดะฝั– ัะตั€ั–ะน ะฒะธัั‚ะฐะฒะพะบ ัƒ ะปะธัั‚ะพะฟะฐะดั– 2023. ะฏะบะพัŽ ะผั–ั€ะพัŽ ั†ะต ะฑัƒะดะต ัะฟั–ะปัŒะฝะธะผ ะฟั€ะพั”ะบั‚ะพะผ, ะฐ ัะบะพัŽ ะผั–ั€ะพัŽ ะณั€ัƒะฟะพะฒะพัŽ ะฒะธัั‚ะฐะฒะบะพัŽ, ัั‚ะฐะฝะต ะทั€ะพะทัƒะผั–ะปะธะผ ะฒ ั…ะพะดั– ัะฟั–ะปัŒะฝะพั— ั€ะพะฑะพั‚ะธ ั…ัƒะดะพะถะฝะธะบั–ะฒ ะฟั€ะพั‚ัะณะพะผ ะปั–ั‚ะฐ. ะœะตั‚ะพัŽ ะฟั€ะพั”ะบั‚ัƒ ั” ัั‚ะฒะพั€ะตะฝะฝั ั‚ะฐะบะพะณะพ ัะตั€ะตะดะพะฒะธั‰ะฐ ั‚ะฐ ะฟั€ะพั†ะตััƒ, ะฒ ัะบะพะผัƒ ั…ัƒะดะพะถะฝะธะบะธ ะผะฐั‚ะธะผัƒั‚ัŒ ะทะผะพะณัƒ ะดะปั ะฟั–ะทะฝะฐะฝะฝั ะพะดะธะฝ ะพะดะฝะพะณะพ, ะทะฝะฐะนะพะผัั‚ะฒะฐ ะท ัƒะบั€ะฐั—ะฝััŒะบะพัŽ ัะฟั–ะปัŒะฝะพั‚ะพัŽ ัƒ ะกะพั„ั–ั— ั‚ะฐ ะ—ะฐะณั€ะตะฑั– ั‚ะฐ ะผะฐั‚ะธะผัƒั‚ัŒ ะผะพะถะปะธะฒั–ัั‚ัŒ ั€ะพะทั€ะพะฑะธั‚ะธ ัะฟั–ะปัŒะฝัƒ ะบะพะฝั†ะตะฟั†ั–ัŽ. ะ‘ะฐะถะฐะฝะธะผ ั„ั–ะฝะฐะปะพะผ ัั‚ะฐะฝะต ัั‚ะฒะพั€ะตะฝะฝั ะฒะธัั‚ะฐะฒะบะธ, ั‰ะพ ะฒะธะฝะธะบะปะฐ ะทะฐะฒะดัะบะธ ัะฟั–ะปัŒะฝะธะผ ะทัƒัะธะปะปัะผ ั—ั— ะฐะฒั‚ะพั€ั–ะฒ, ะฐ ะฝะต ะฟั€ะพัั‚ะพ ะพะฑโ€™ั”ะดะฝะฐะปะฐ ัะตั€ั–ัŽ ะพะบั€ะตะผะธั… ะฒะธั‚ะฒะพั€ั–ะฒ ะผะธัั‚ะตั†ั‚ะฒะฐ ะฟั–ะด ะพะดะฝะธะผ ั‚ะตะผะฐั‚ะธั‡ะฝะธะผ ะดะฐั…ะพะผ.

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ะขะ•ะ ะœะ†ะะ˜ ะŸะžะ”ะะงะ†

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ะšั–ะฝั†ะตะฒะฐ ะดะฐั‚ะฐ ะฟะพะดะฐั‡ั– ะทะฐัะฒะบะธ: 18 ะบะฒั–ั‚ะฝั 2023 ั€., 23:59:00 EET

ะ ะตะทัƒะปัŒั‚ะฐั‚ะธ ะฒั–ะดะฑะพั€ัƒ: 21 ะบะฒั–ั‚ะฝั 2023 ั€ะพะบัƒ

ะ’ะพั€ะบัˆะพะฟ 1, ะกะพั„ั–ั: 22โ€“23 ั‚ั€ะฐะฒะฝั 2023 ั€

ะ’ะพั€ะบัˆะพะฟ 2, ะ—ะฐะณั€ะตะฑ: 11-12 ะปะธะฟะฝั 2023 ั€

ะŸะฐั€ะฐะปะตะปัŒะฝั– ะฒะธัั‚ะฐะฒะบะธ ัƒ ะกะพั„ั–ั—, ะ—ะฐะณั€ะตะฑั– ั‚ะฐ ะ›ัŒะฒะพะฒั–: ะปะธัั‚ะพะฟะฐะด 2023 ั€


ะฃะœะžะ’ะ˜ ะ”ะ›ะฏ ะฃะงะะกะขะ†

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โ€“ ัั‚ะธะฟะตะฝะดั–ั ะฒ ั€ะพะทะผั–ั€ั– 3 600 ั”ะฒั€ะพ ะดะปั ะฟะพะบั€ะธั‚ั‚ั ะฒะธั‚ั€ะฐั‚ ะฝะฐ ั€ะพะฑะพั‚ัƒ ั‚ะฐ ะผะฐั‚ะตั€ั–ะฐะปั–ะฒ (ะทะฐ ะฒะธะบะปัŽั‡ะตะฝะฝัะผ ะฒั–ะดะฟะพะฒั–ะดะฝะธั… ะฟะพะดะฐั‚ะบั–ะฒ ั‚ะฐ ัะพั†ั–ะฐะปัŒะฝะธั… ะทะฑะพั€ั–ะฒ ะทะฐะปะตะถะฝะพ ะฒั–ะด ะทะพะฝะธ ะพะฟะพะดะฐั‚ะบัƒะฒะฐะฝะฝั ัƒั‡ะฐัะฝะธะบะฐ)

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โ€“ ะฟั€ะพั—ะทะด, ะฟั€ะพะถะธะฒะฐะฝะฝั ั‚ะฐ ะดะพะฑะพะฒั– ะฟั–ะด ั‡ะฐั ะฟั€ะพะฒะตะดะตะฝะฝั ะดะฒะพั… ะดะฒะพะดะตะฝะฝะธั… ะฒะพั€ะบัˆะพะฟั–ะฒ, ะฐ ั‚ะฐะบะพะถ ะฒะธั‚ั€ะฐั‚ะธ ะฝะฐ ะฒั–ะดะบั€ะธั‚ั‚ั ะฒะธัั‚ะฐะฒะบะธ ะฟะพะบั€ะธะฒะฐัŽั‚ัŒัั ะพั€ะณะฐะฝั–ะทะฐั‚ะพั€ะฐะผะธ 

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โ€“ ะ’ะฐะถะปะธะฒะพ! ะžัะพะฑะธัั‚ะฐ ัƒั‡ะฐัั‚ัŒ ัƒ ะดะฒะพั… ะฒะพั€ะบัˆะพะฟะฐั… ั‚ะฐ ัะฒะพั”ั‡ะฐัะฝะต ะฒะธะณะพั‚ะพะฒะปะตะฝะฝั ั€ะพะฑั–ั‚ ัƒ ั€ะฐะผะบะฐั… ั‚ะตะผะธ ะฟั€ะพั”ะบั‚ัƒ ะดะปั ะฟั–ะดััƒะผะบะพะฒะพั— ะฒะธัั‚ะฐะฒะบะธ ั” ะพะฑะพะฒโ€™ัะทะบะพะฒะธะผะธ. (ะฅัƒะดะพะถะฝะธะบะธ, ั‰ะพ ะฟะพะดะพั€ะพะถัƒะฒะฐั‚ะธะผัƒั‚ัŒ ะท ะฃะบั€ะฐั—ะฝะธ ะผะฐั‚ะธะผัƒั‚ัŒ ะทะผะพะณัƒ ะทะฐะปะธัˆะธั‚ะธััŒ ัƒ ะกะพั„ั–ั— ั‚ะฐ ะ—ะฐะณั€ะตะฑั– ะดะพ 5 ะดะฝั–ะฒ ะทะฐ ะฟะพั‚ั€ะตะฑะพัŽ)

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โ€“ ั€ะพะฑะพั‡ะฐ ะผะพะฒะฐ ะฟั€ะพั”ะบั‚ัƒ โ€“ ะฐะฝะณะปั–ะนััŒะบะฐ


ะฏะš ะŸะžะ”ะะขะ˜ ะ—ะะฏะ’ะšะฃ

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ะœะธ ัˆัƒะบะฐั”ะผะพ ัƒะบั€ะฐั—ะฝััŒะบะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ ัƒัั–ั… ะฝะฐะฟั€ัะผะบั–ะฒ ะฒั–ะทัƒะฐะปัŒะฝะพะณะพ ะผะธัั‚ะตั†ั‚ะฒะฐ, ะฒะบะปัŽั‡ะฐัŽั‡ะธ  ะถะธะฒะพะฟะธั, ัะบัƒะปัŒะฟั‚ัƒั€ัƒ, ะฟั€ะพัั‚ะพั€ะพะฒั– ะผะธัั‚ะตั†ั‚ะฒะฐ (ะปะตะฝะด-ะฐั€ั‚, ะฐั€ั…ั–ั‚ะตะบั‚ัƒั€ัƒ ั‚ะฐ ะดะธะทะฐะนะฝ), ั„ะพั‚ะพะณั€ะฐั„ั–ัŽ, ะฒั–ะดะตะพ ั‡ะธ ะฟะตั€ั„ะพั€ะผะฐะฝั.

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ะ”ะปั ะฟะพะดะฐั‡ั– ะทะฐัะฒะบะธ, ะฑัƒะดัŒ ะปะฐัะบะฐ, ะฝะฐะดั–ัˆะปั–ั‚ัŒ:

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 1. CV (ะผะฐะบั. 2 ัั‚ะพั€ั–ะฝะบะธ)

 2. ะœะพั‚ะธะฒะฐั†ั–ะนะฝะธะน ะปะธัั‚ ะท ั€ะพะทะฟะพะฒั–ะดะดัŽ ะฟั€ะพ ัะฒั–ะน ะฟั–ะดั…ั–ะด ะดะพ ั€ะพะฑะพั‚ะธ, ั‡ะพะผัƒ ะฒะธ ั…ะพั‚ั–ะปะธ ะฑ ะฒะทัั‚ะธ ัƒั‡ะฐัั‚ัŒ ั‚ะฐ ะพะฟะธัˆั–ั‚ัŒ ั–ะดะตัŽ, ะฝะฐะด ัะบะพัŽ ะฒะธ ั…ะพั‡ะตั‚ะต ะฟั€ะฐั†ัŽะฒะฐั‚ะธ ะฟั€ะพั‚ัะณะพะผ ะฟั€ะพะตะบั‚ัƒ WE SEE UKRAINE (1 ัั‚ะพั€ั–ะฝะบะฐ).

3. ะŸะพั€ั‚ั„ะพะปั–ะพ (ะผะฐะบั. 10 ัั‚ะพั€ั–ะฝะพะบ)


ะ‘ัƒะดัŒ ะปะฐัะบะฐ, ะฝะฐะดั–ัˆะปั–ั‚ัŒ ะฒัะต ะพะดะฝะธะผ ั„ะฐะนะปะพะผ ัƒ ั„ะพั€ะผะฐั‚ั– PDF (ะผะฐะบัะธะผะฐะปัŒะฝะธะน ั€ะพะทะผั–ั€ 20 ะœะ‘) ะฝะฐ ะตะปะตะบั‚ั€ะพะฝะฝัƒ ะฐะดั€ะตััƒ: weseeukraine@gmail.com

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ะšั–ะฝั†ะตะฒะธะน ั‚ะตั€ะผั–ะฝ ะฟะพะดะฐั‡ั– ะทะฐัะฒะพะบ โ€“ 18 ะบะฒั–ั‚ะฝั 2023 ั€ะพะบัƒ. ะฃั‡ะฐัะฝะธะบะธ, ัะบั– ะฟั€ะพะนัˆะปะธ ะฒั–ะดะฑั–ั€, ะฑัƒะดัƒั‚ัŒ ัะฟะพะฒั–ั‰ะตะฝั– 21 ะบะฒั–ั‚ะฝั 2023 ั€ะพะบัƒ.

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ะœะธ ะท ะฝะตั‚ะตั€ะฟั–ะฝะฝัะผ ั‡ะตะบะฐั”ะผะพ ะฝะฐ ะฒะฐัˆั– ะทะฐัะฒะบะธ ั‚ะฐ ะฟะพะดะฐะปัŒัˆัƒ ัะฟั–ะฒะฟั€ะฐั†ัŽ, ั‰ะพะฑ ะฟั–ะดะฒะธั‰ะธั‚ะธ ะพะฑั–ะทะฝะฐะฝั–ัั‚ัŒ ัะพั†ั–ัƒะผัƒ ะฟั€ะพ ัะธั‚ัƒะฐั†ั–ัŽ ะฒ ะฃะบั€ะฐั—ะฝั– ะทะฐ ะดะพะฟะพะผะพะณะพัŽ ัะธะปะธ ะผะธัั‚ะตั†ั‚ะฒะฐ, ั‰ะพ ัะฟั€ะพะผะพะถะฝะต ะฒะธะบะปะธะบะฐั‚ะธ ะตะผะฟะฐั‚ั–ัŽ.

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ะŸะ ะž ะะะก ะขะ ะŸะ ะžะ„ะšะข

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WE SEE UKRAINE - ั†ะต ัะฟั–ะปัŒะฝะธะน ะฟั€ะพะตะบั‚ ัƒ ะณะฐะปัƒะทั– ะฒั–ะทัƒะฐะปัŒะฝะพะณะพ ะผะธัั‚ะตั†ั‚ะฒะฐ ั‚ะฐ ะฟะตั€ั„ะพั€ะผะฐะฝัะฐ, ั€ะพะทั€ะพะฑะปะตะฝะธะน ะบะพะผะฟะฐะฝั–ั”ัŽ Tanuki Films (ะ‘ะพะปะณะฐั€ั–ั), ะฟั€ะพะดะฐะบัˆะฝ-ะบะพะผะฟะฐะฝั–ั”ัŽ Eclectica (ะฅะพั€ะฒะฐั‚ั–ั) ั‚ะฐ ะฆะตะฝั‚ั€ะพะผ ั€ะพะทะฒะธั‚ะบัƒ ั‚ัƒั€ะธะทะผัƒ ะผ. ะ›ัŒะฒะพะฒะฐ, ั‰ะพ ัะฟั€ัะผะพะฒะฐะฝะธะน ะฝะฐ ะดะพัะปั–ะดะถะตะฝะฝั ะฒะฟะปะธะฒัƒ ะฒั–ะนะฝะธ ะฒ ะฃะบั€ะฐั—ะฝั– ะฝะฐ ัƒะบั€ะฐั—ะฝััŒะบะต ั‚ะฐ ั”ะฒั€ะพะฟะตะนััŒะบะต ััƒัะฟั–ะปัŒัั‚ะฒะพ. ะœะธ ะฒะธะผั–ั€ัŽั”ะผะพ ั†ะตะน ะฒะฟะปะธะฒ ะทะฐ ะดะพะฟะพะผะพะณะพัŽ ั‚ั€ัŒะพั… ั–ะฝัั‚ั€ัƒะผะตะฝั‚ั–ะฒ - ะฒะธะบะพั€ะธัั‚ะฐะฝะฝั ะผะพะฒะธ, ะฒั–ะดะฝะพัˆะตะฝะฝั ะปัŽะดะตะน ะดะพ ะพะฑ'ั”ะบั‚ั–ะฒ ั‚ะฐ ั‚ั–ะปะพ ะปัŽะดะธะฝะธ ัะบ ั–ะฝัั‚ั€ัƒะผะตะฝั‚ ะทะผั–ะฝ ั‚ะฐ ะฒะทะฐั”ะผะพะดั–ั—.

ะ—ะฐ ะพัะฝะพะฒัƒ ะฟั€ะพั”ะบั‚ัƒ ะผะธ ะฒะทัะปะธ ะฝะฐัˆั– ะฟะพะฟะตั€ะตะดะฝั– ั€ะพะฑะพั‚ะธ ัƒ ัั„ะตั€ั– ะดะพะบัƒะผะตะฝั‚ะฐะปัŒะฝะพะณะพ ะบั–ะฝะพ ั‚ะฐ ะฒั–ะทัƒะฐะปัŒะฝะพะณะพ ะผะธัั‚ะตั†ั‚ะฒะฐ. ะŸั€ะพั”ะบั‚ ะฑัƒะดะต ะฟะพะฑัƒะดะพะฒะฐะฝะธะน ะฝะฐ ะดะพัะฒั–ะดั– ะทะฒะธั‡ะฐะนะฝะธั… ัƒะบั€ะฐั—ะฝั†ั–ะฒ: ะฑั–ะถะตะฝั†ั–ะฒ ะฐะฑะพ ะปัŽะดะตะน, ัะบั– ะฒะถะต ะฟะพะฒะตั€ะฝัƒะปะธัั ะดะพ ัะฒะพั—ั… ะดะพะผั–ะฒะพะบ, ะฐะฑะพ ะถ ั‚ะธั…, ั…ั‚ะพ ะทะฐะปะธัˆะธะฒัั ะฒ ะฃะบั€ะฐั—ะฝั–. ะจั–ัั‚ัŒ ะฒั–ะทัƒะฐะปัŒะฝะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ ะท ั‚ั€ัŒะพั… ะบั€ะฐั—ะฝ-ะฟะฐั€ั‚ะฝะตั€ั–ะฒ (ะผั–ัั†ะตะฒะธั… ะฐะฑะพ ัƒะบั€ะฐั—ะฝั†ั–ะฒ) -  ะ‘ะพะปะณะฐั€ั–ั—, ะฅะพั€ะฒะฐั‚ั–ั— ั‚ะฐ ะฃะบั€ะฐั—ะฝะธ ะฟั€ะฐั†ัŽะฒะฐั‚ะธะผัƒั‚ัŒ ั€ะฐะทะพะผ ัƒ ั€ะฐะผะบะฐั… ะฟั€ะพั”ะบั‚ัƒ ะฝะฐะด ัั‚ะฒะพั€ะตะฝะฝัะผ ัะฟั–ะปัŒะฝะพั— ะฒะธัั‚ะฐะฒะบะธ. ะฆะต ะฑัƒะดะต ัะฟั€ะฐะฒะถะฝั ะบะพะปะฐะฑะพั€ะฐั†ั–ั, ะฐะดะถะต ะผะตั‚ะฐ ะฝะฐัˆะพะณะพ ะฟั€ะพั”ะบั‚ัƒ โ€“ ั†ะต ะพะฑโ€™ั”ะดะฝะฐะฝะฝั ะผั–ัั†ะตะฒะธั… ั‚ะฐ ัƒะบั€ะฐั—ะฝััŒะบะธั… ั…ัƒะดะพะถะฝะธะบั–ะฒ, ะฑั–ะถะตะฝั†ั–ะฒ ั‚ะฐ ั€ะตะทะธะดะตะฝั‚ั–ะฒ, ะท'ั”ะดะฝะฐะฝะฝั ั—ั…ะฝั–ั… ะฒะผั–ะฝัŒ, ั€ะพะทัƒะผัƒ ั‚ะฐ ัะตั€ะดะตั†ัŒ ะดะปั ัั‚ะฒะพั€ะตะฝะฝั ะฒั–ะทัƒะฐะปัŒะฝะพั— ะผะพะฒะธ ะทะฐั€ะฐะดะธ ะผั–ะถะบัƒะปัŒั‚ัƒั€ะฝะพะณะพ ะดั–ะฐะปะพะณัƒ ั‚ะฐ ะฟะพั€ะพะทัƒะผั–ะฝะฝั.

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ะะฐัˆ ะฟั€ะพั”ะบั‚ ะฝะฐะดะฐั” ะผะพะถะปะธะฒั–ัั‚ัŒ ะดะปั ัะฟั–ะปัŒะฝะพั— ั‚ะฒะพั€ั‡ะพัั‚ั– ั‚ะฐ ะฑัƒะดะต ะฟะพัˆะธั€ัŽะฒะฐั‚ะธ ั€ะตะทัƒะปัŒั‚ะฐั‚ะธ ะฝะฐ ะพะฝะปะฐะนะฝ- ะฟะปะฐั‚ั„ะพั€ะผะฐั… ั‚ะฐ ัƒ ัะตั€ั–ั— ะฒะธัั‚ะฐะฒะพะบ/ะฟะตั€ั„ะพั€ะผะฐะฝัั–ะฒ ัƒ ะบั€ะฐั—ะฝะฐั…-ะฟะฐั€ั‚ะฝะตั€ะฐั….

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ะŸั€ะพั”ะบั‚ ะทะดั–ะนัะฝัŽั”ั‚ัŒัั ะทะฐ ะฟั–ะดั‚ั€ะธะผะบะธ ะ„ะฒั€ะพะฟะตะนััŒะบะพะณะพ ะกะพัŽะทัƒ ัƒ ั€ะฐะผะบะฐั… ะฟั€ะพะณั€ะฐะผะธ Creative Europe โ€“ International Cooperation Projects.

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